Nonwestern Literature Essay Example for Free

Nonwestern Literature Essay Modern literature does not show the extent to which literature has come. Medieval forms of literature reflected an unprecedented level of purity and originality. A study of the similarities and dissimilarities between cultures reveals the exchange of ideology that occurred many centuries ago. This gives weight to the assertion that modern forms of literature from different regions of the world once shared certain characteristics. It should not get assumed that the different forms of literature arose from the same inspiration. Rather, the varying types of literature occurred separately. However, due to improvements in technology and communication, forms of literature have become similar over time. An in-depth look at Egyptian, Indian, and Chinese literatures highlights this clearly. China and India, as countries from the East, have a winding, rich, and spectacular literary tradition. The exchange of literary accomplishments between the two nations has never ceased even until modern times. The primary groundwork for such an exchange became established through the introduction of Buddhism into China. As a result of this introduction, Indian literature began imparting nourishment to its Chinese counterpart. Thus, Chinese literature adopted plenty of influences from Indian literature. Resulting effects on Chinese literature have manifested themselves in aspects of aesthetic tendency, form, subject, rhetoric and vocabulary. In ancient times, Buddhism served as the key medium for Chinese-Indian literary exchanges. Chinese literature has become more and more influenced by Indian literature in recent times due to the assimilation of Buddhist influences. Nevertheless, the extent and nature of the literary exchange between India and China has become two-sided and complementary in recent times. There exist similarities and differences between Chinese and Indian literature. In both Chinese and Indian literature, the form of literature gets classified as primarily oral. In both Chinese and Indian literatures, extensive written forms of literature appeared in later periods compared to the emergence of oral forms of literature. In both Chinese and Indian literature, the emergence of written forms of literature arose due to the spread of literacy programs pioneered by the ruling authorities in both countries. Also, both Indian and Chinese literatures have different forms of literature contributing to the overall state of literature in the respective countries. Moreover, both Indian and Chinese literatures have experienced changes due to modern influences from the western world. On the other hand, a few differences arise between Chinese and Indian literature. Chinese literature has always gotten expression through only one language. This has remained true for the over 3000 years which the Chinese civilization has existed. On the contrary, Indian literature has experienced segmentation due to the presence of numerous languages within India. The Indian culture has officially recognized 22 languages and among these languages, 21 of them have establishes their own unique forms of literature. Indian literature has gotten influence from the various traditions that have governed over the country. Throughout its history, various family traditions have dictated the nature of ownership over the country. In turn, the varying styles of ownership have had an unmistakable effect on the types of literature. Thus, different ownership periods as demarcated by family traditions have different kinds of literature. Conversely, various dynasties throughout the whole period of its sovereign existence have ruled China. This has led to the classification of types of literature based on the particular dynasty that ruled the country at the time of the emergence of the literature. These dynasties include Zhou, Qin, Han, Tang, Song, Yuan, Ming, and Qing. During the existence of all these dynasties, various forms of literature have arisen. For instance, early woodblock and poetry became embraced during the Tang dynasty while novels gained prominence during the Ming dynasty. Chinese and Egyptian literatures share many points of reference. Both forms of literature began experiencing formative influences before the Common Era. Egyptian literature has its roots in ancient Egyptian culture. Along with Sumerian literature, ancient Egyptian literature gets classified as the one of the earliest forms of literature. In both forms of literature, the ownership periods played a key role towards the definition and classification of different types of literature. Both Chinese and Egyptian forms of literature have pioneered forms of writing, which had not existed earlier. Egyptian literature gave rise to hieroglyphics. Also, the writing of blurbs began in the 14th century Egyptian times. The writing of blurbs thus emerged as a key component of literary writing in the contemporary world. Both forms of literature have allowed the influence of different forms of literature from other countries. Egyptian literature became molded by the influx of foreign poets who flocked the town of Alexandria. These poets originated from Greece and Rome. They immigrated to Alexandria so as to utilize the library facility in the town. As a result of their extended stay in Egypt, the poets began expressing their literature in Arabic language. Inevitably, the existing literature within Egypt became fused with the literature brought by the European poets. The infiltration and influence of Indian Buddhism has played a prominent role in the shaping the Chinese literature toward adopting Indian connotations. Meditation has become a key component of Chinese literature unlike previous times. This lays testament to the fact that Indian Buddhism has left an indelible mark on Chinese literature. In Chinese literature, the initial form of literature consisted primarily of oral forms. Written forms of literature appeared during later periods of civilization. This stands in stark contrast to Egyptian literature, which has the autobiography as its oldest form. Egyptian literature got expressed in papyrus reeds. These provided the writing material on which ancient Egyptian writers would record their literary works. Also, Egypt invented calligraphy, which emerged as a key means of writing during that era. Chinese literature has received influence primarily stemming from the ruling influences within the country. The dynasties that have exercised governorship over the country have molded the types of literature within China. In contrast, Egyptian literature has experienced influences stemming from external sources. The conquering of Egypt by Muslim Arabs had a major impact on the literature in Egypt. Libraries became established and literature thrived. Papyrus reeds became replaced by cloth paper as writing surfaces. Another difference between Egyptian and Chinese literature appears when it comes to the overriding motive behind the change in literature. In Chinese literature, the changes undertaken in literature have occurred involuntarily and with the noble aim of improving the Chinese culture. On the other hand, changes in Egyptian literature have become implemented for the sole purpose of embracing Islam. The majority of Egyptian literature back in medieval times consisted of wisdom literature. This shows that the wider number of Egyptian literary works got written mainly for instruction and guidance. Such instruction recognizes the social format of life that exists in Egypt. Family values take the first place in Egypt. As a result, the forms of literature within the country give precedence to the values honored by families. However, the majority of forms of literature written in China became formulated for the purpose of entertainment. This arises due to the communal nature of the Chinese culture. Hence, the forms of literature become designed in such a way as to amuse and thereby engender a sense of togetherness within the community. ?Egyptian and Indian literatures have stunning similarities and glaring differences. The bulk of both Egyptian and Indian literatures bears literature intended for instruction. Both Egyptian and Indian cultures recognize the supremacy of family values. Thus, the literature of both countries became formulated with the intention of providing the families with instructive information regarding family life. Indian folklore and Egyptian folklore combined as key elements towards the formation of storytelling formats. Both Indian and Egyptian literatures have become molded for the purpose of accommodating religious beliefs. Literature in Egypt has evolved with the passage of time as it becomes more permissible to the Islamic faith and body of beliefs. Since Islam has gained wide acclaim as the state religion, the form of literature within Egypt has sought to reflect this truth in its form. This has endeavored to avoid hurting the religiously-trained consciences of Egyptians. In India, religion has had a major impact towards the changes that have occurred in Indian literature. India plays host to majority of the world’s most populous forms of faith. Buddhism alone has had an understated effect on the form of Indian literature. The prevalence of meditation techniques within Egyptian literature gives evidence of the extent of Buddhist influence.? However, a few differences exist between Indian and Egyptian literatures. Egyptian literature had its beginnings much earlier than Indian literature. This necessarily makes Egyptian literature richer than Indian literature. The superior quality of Egyptian literature becomes apparent through a sober consideration of the genres that have gotten invented due to Egyptian literature. Indian literature has become classified in terms of tradition due to the ideologies that have governed the country. In the contrary, Egyptian literature has always manifested their Islamic inclinations. Also, Egyptian literature received notable influence from European poets while India has risen to become the source of poetic influence to other countries like China. The history of Egyptian literature had its beginnings in ancient Egypt. The River Nile had a massive influence on the development of Egyptian literature. The town of Alexandria served as a major confluence for the emergence of literary influences. This happened because of the presence of the Library of Alexandria. This library served as hubs for poets originating from Greece and Rome, which served as key world powers in that time. The influence of these foreign poets had an unprecedented effect on Egyptian literature. Beginning from the period of the tyrannical Pharaohs until the conclusion of the Roman Empire’s rulership, ancient Egyptian literature got expresses in Egyptian language. Ancient Egyptian literature gains recognition as the world’s earliest form of literature along with other genres like Sumerian literature.? However, forms of writing in ancient Egypt did not surface until the late periods of the 4th century. This included both hieratic and hieroglyphic forms of writing. At some time before the modern era, the available literary works included epistles and letters, texts, hymns and poems, and memorials. These biographical texts got penned so as to document the professional lives of noteworthy administrative marshals. These developments notwithstanding, narrative forms of Egyptian literature became created in late periods of the 17th century BC. The formation of narrative forms sparked a media revolution in the whole of Egypt. Such a revolution occurred due to various factors. The unprecedented rise in literacy levels played a primary role for the revolution. Other factors included widespread access to written literature, rise of an intellectual class of scribes, new cultural sensibilities about individuality, unprecedented levels of literacy, and mainstream access to written materials.? The history and tradition of Indian literature primarily features verse though it also seems fundamentally oral. The earliest works became composed for the purpose of getting sung or recited. In this raw form, they became transmitted throughout a number of generations before getting written down as permanent recordings. As a result of this belated recording, the earliest records of a text appear later by several millenniums than the stated date of its initial composition. Furthermore, probably because the majority of Indian literature appears as either religious or as a reworking of common stories from the Sanskrit tales, the Ramayana and the Mahabharata, and the mythological writings, the authors often maintain their anonymity. Biographical components and details of the lives of the majority of the earlier Indian authors appear only in much later myths and legends. In medieval Indian literature, the earliest works in many of the languages were sectarian, designed to advance or to celebrate some unorthodox regional. Much traditional Indian literature is derived in theme and form not only from Sanskrit literature but from the Buddhist and Jain texts written in the Pali language and the other Prakrits (medieval dialects of Sanskrit). This applies to literature in the Dravidian languages of the south as well as to literature in the Indo-Iranian languages of the north. Invasions of Persians and Turks, beginning in the 14th century, resulted in the influence of Persian and Islamic culture in Urdu, although important Islamic strands can be found in other literatures as well, especially those written in Bengali, Gujarati, and Kashmiri. After 1817, entirely new literary values were essay, and literary drama (this last incorporating both classical Sanskrit and Western models)—that gradually engulfed the customary Indian verse genres. Urdu poets remained faithful to the old forms while Bengalis were imitating such English poets as Percy Bysshe Shelley or T. S. Eliot.? The history of ? Chinese literature extends for thousands of years. This started from the earliest recorded dynastic court archives to the mature fictional novels that arose during the Ming Dynasty. These mature fictional novels became penned for the sake of entertaining the masses of literate Chinese citizens. To various Westerners, Chinese literature remains hugely unexplored in comparison to the rich state of the Chinese culture. As a matter of fact, it is a treasure of a very considerable number of brilliant and profound works as each dynasty, in the long history of China, has passed down its legacy of magnificent events and works. For 3500 years, they have woven a variety of genres and forms encompassing poetry, essays, fiction and drama; each in its own way reflecting the social climate of its day through the high spirit of art. Chinese literature has its own values and tastes, its own reigning cultural tradition and its own critical system of theory. Chronologically, it can be divided into four main periods: classical, modern, contemporary, and the present-age literature. Classical literature refers to the earliest period and covers works from three thousand years ago to the late Qing Dynasty and is a virtually unbroken strand enduring dynastic changes. Since it was nearly always developed under the reign of centralized and unified government, it is imbued with the thoughts of a culture that embraced slavery and a feudal society. It was steeped in an enclosed environment that hardly had any real links with religion or least of all the literature of foreign cultures. ? Modern Literature refers to the period from the Opium War in 1840 to the May Fourth Movement in 1919. As the decadent reign of the Qing failed to inspire the minds of people, the literary forms had remained unchanged; till the Opium War in 1840. Then they absorbed the impact of western thoughts as foreigners poured in China and established their colonies. Novels, poetry and other works began to appear with a theme of patriotism and a revelation of social ills. Contemporary literature spanned the period from 1919 to the foundation of modern in 1949 and took on a new vigor, despite the fact that Chinese was in the throes of checkered and complicated times. This period was distinctive as it brought into being a new and revised literary language, form, content and skills allowing it to evolve into an independent and open art available to the whole of society. It attached great attention to peoples lives and a future with strong political tendencies. Influenced by the tide of the world literature, it provided wide and amiable communication between writers and readers. Present-Age literature has evolved since the establishment of the Peoples Republic in 1949. During this time, there was a logjam as a consequence of the Cultural Revolution that lasted for nearly 10 years. That era is now long past and we now have a favorable turn on events and a great number of responsible writers deepen the literary forms and content. Nowadays literature prospers. As the Chinese nation is a racial mix of Han people together with 55 other ethnic groups, literature reflects this. The various ethnic groups have contributed greatly in this field.? China stands as the only country worldwide with a mono-language literature for over 3,000 years. This continuity comes from the nature of the written language itself. It is the use of characters, not letters as in Western languages, that is, most important in the Chinese language. The characters stand for things or ideas and so, unlike groups of letters, they cannot and need never get sounded. Thus Chinese could be read by people in all parts of the country in spite of gradual changes in pronunciation, the emergence of regional and local dialects, and modification of the characters. A revolution held in China marked the dynasties whereby a clan ruled over an empire. Inevitably, the significant change of Chinese society that occurred with the change of government invariably led to an alteration of literature. Thus, Chinese literature gradually became westernized and Classical language got absolved from utilization. The national government desired for women to enjoy equal privileges like men. This clamor for an equal status in society resulted in plenty of women writers and scholars. As a result, the amount of politically oriented literature doubled. Academicians got unrestrained access to literature from foreign countries while plenty of students received scholarships so as to study abroad. The New Culture Movement became disbanded and writers endeavored to blaze the trail in transforming China into a modern industrialized nation. Writers also intended to replace Confucian life-style with a modern, westernized one. Under the leadership of the national government, there existed some freedom of expression. During that period of relative freedom, lots of different views and styles of literature became widely popular. But at the moment China came under attack from Japan, the resulting Communist victory led to the curtailing of former freedoms. For instance, only literature that met the approval of the government became allowed. Egyptian literature has also experienced plenty of changes due to interaction with western cultures. The expansion of the international market has necessitated the presence of many foreigners within Egyptian soil. As a result of such mingling, Egyptian literature has become influenced by western attitudes and notions. India has become a key player in the Commonwealth of Nations movement. Inevitably, it has become the focal point for conducting business within Asia. Thus, Indian literature has adopted other cultures. Buddhism has also become part and parcel of the literature of many other countries. This highlights the exchange that has undoubtedly occurred between Indian literature and other forms of literature. REFEREENCES Allen, James P. (2000), Middle Egyptian: An Introduction to the Language and Culture of Hieroglyphs, Cambridge: Cambridge University Press.? Foster, John Lawrence (2001), Ancient Egyptian Literature: An Anthology, Austin: University of Texas Press.? K, Kripalani (1970). Modern Indian Literature.? Knight, Sabina (2012). Chinese Literature : A Very Short Introduction. Oxford; New York: Oxford University Press, Very Short Introductions Series.? Levy, Andre (2000). Chinese Literature, Ancient and Classical. Bloomington: Indiana University Press.? Lichtheim, Miriam (2006), Ancient Egyptian Literature: Volume II: The New Kingdom, with a new foreword by Hans-W. Fischer-Elfert, Berkeley and Los Angeles: University of California Press.? M. , Winternitz. (1973) . A History of Indian Literature.? Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press.? T. , W. , Clark. (1970). The Novel in India.? Quirke, S. (2004), Egyptian Literature 1800 BC, questions and readings, London: Golden House Publications.

OLD BLOOD AND GUTS Essay -- essays papers

OLD BLOOD AND GUTS General Patton was a devoted student of history, a poet, a humble man who was very unsure of his own abilities, a man who could bust into tears at any given moment, and could be charming or quite insulting all in the same hour. His reckless, outspoken manner gained him friends and enemies of equal determination. General Patton was not only extrovert of public perception but he also had an intensely private side. He was a man who trained himself for greatness with a determination matched by no other Allied General of World War Two. During the war, Patton led U.S. troops in Morocco, Tunisia, and Sicily, then took command of the Third Army, leading the troops through the German lines at Normandy to traverse France and eventually into the heart of Germany. His toughness on enemies as well as his own forces earned him the name â€Å"Old Blood and Guts.† General George Smith Patton’s leadership and tactics were the best of any Allied general of World War Two. Old Blood and Guts was born in 1885 in San Gabriel, California. He was a man who from a very early age knew he was destine for a life in the military as one can read in his journal â€Å" When I was a little boy at home I used to wear a wooden sword and say to myself: ‘George S. Patton, Jr., Lieutenant General’.†1 He followed his dreams and gained an educated at Virginia Military Institute and the U.S. Military Academy. On his graduation in 1909 Patton was commissioned a second lieutenant; he advanced in rank to full General by 1945. George Patton served as aide-de-camp to the American General John Joseph Pershing on Pershing’s expedition to Mexico in 1917. As a young lieutenant Patton was asked by General Pershing why he should be chosen to go on a dangerous mission The young, cocky Patton replied, â€Å"I want to go more than anyone else.†2 After making a name for himself early in his career, Patton earned a promotion; beginning the practice of many promotions to come. His experiences in Mexico prepared him for the soon to come war in Europe. In France during World War One Patton was offered a position as a tank core commander. In his journals, he wrote, â€Å"I will have to grow and grow a lot. But I will. Here is my chance.†3 soldier’s testimonies added to his reputation of being a tough commander. After a battle, he was quoted by some soldiers as saying â€Å"You are not bea... ... of solace, and the basis of practically every thing he did. Patton’s nephew wrote â€Å"The Bible was his companion and the church his refuge.†11 It was not uncommon to see General Patton weeping at the side of a dead or dying solider during his Army career. General George Smith Patton was a great American leader. His victories for America in Mexico, in World War One, and in World War Two proved his amazing leadership skills to the world. His bold, new tactics in France during World War Two are the basis of the modern military. Throughout his career, General Patton earned the respect of his men, his superiors, and the enemy. General George Smith Patton's leadership and tactics were the best of any Allied general of World War Two. WORKS CITED Blumenson Martin. Patton the man behind the legend. New York.:Berkly Publishing Company, 1984. Desto Carlo. Patton a genius for war. New York.: Harper Collins Company, 1995. Ladisias Fargo. Patton: Ordeal and Triumph. Chicago.: Ivan Obolengres company, 1981. Wallace Brenton. Patton and his Third Army. New York.: Battery Press, 1981. Blumenson Martin. The Patton Papers 1940-1945. Boston.: Houghton Muffin Company, 1974.

Exploring Gender Conventions in Film Essay

The American melodrama film, Mildred Pierce, directed by Todd Haynes, was based on the 1941 novel, written by James Cain. Mildred Pierce explores the roles of gender and class during the economic hardships of the stock market crash and the depression. This novel is a very effective representation of the 1930’s and 1940’s turmoil. An interview with Todd Haynes titled, â€Å"Something That is Dangerous and Arousing and Transgressive,† was done by Julia Leyda; and in that interview, Todd Haynes explains that women, â€Å"struggle with their embodiment, their identity, their social positions† (Leyda). James Cain created Mildred to be a woman who expressed many different attributes that women would not normally have during this time period and with the happening of the Great Depression. In his novel, Mildred represents a lower-middle-class woman who went through a divorce. Although she is a single parent in the beginning of the book, or as her friend Lucy calls it, a â€Å"grass widow,† she has the ambition to work and help Bert provide for their family. This book touches on a different aspect of gender expectations because during this time period many of the men did not have jobs and the women were the one’s working and earning money. This is evident through her ex-husband Bert, and her new husband (later in the film), Monty. Neither of them had jobs, she refers to them as loafs, and she does all that she can to provide for them. Mildred is embarrassed by some of the job offerings she got and does not want to disappoint her self-aggrandizing daughter. As mentioned in chapter five, it is obvious that Mildred fears Veda. The novel reads: She was afraid of Veda, of her snobbery, her contempt, her unbreakable spirit. And she was afraid of something that seemed always lurking under Veda’s bland, phony toniness: a cold, cruel, coarse desire to torture her mother, to humiliate her, above everything else, to hurt her. Mildred apparently yearned for warm affection from this child[†¦ ] but all she ever got was a stagy, affected counterfeit. (Cain 86) Mildred was constantly trying to impress Veda and her dreams of becoming rich, whereas in this family’s present state, it was almost impossible. Mildred even had to break down and beat Veda because she had been so vicious toward her when all Mildred ever did was bust her ass to earn enough money for her children. And for a while, Mildred even kept work a secret so that her own children would not have to worry about their family falling apart and finding out that they were lower middle class. One really important part of this book was when Mildred stood up to Veda and said, â€Å"You may not realize it, but everything you have costs money, from the maid that you ordered to go traipsing with you to the pool, to your food, and everything else that you have† (Cain 85). Mildred has a strong will to keep her family strong, but at the same time she faces two weaknesses: sleeping with men, and having a strong devotion to please her daughter Veda, who lives in a fantasy wishing she were upper-class. It is odd because she resorts to sex when she encounters stress and her sexual life is her sense of freedom; but when it comes to her work life, she is constantly on the edge and she does not indulge in it. Work is often what causes the stress in her life. In addition, Monty has the same fantasy as Veda and in the end of the film we see Mildred being pushed away from both of them, and eventually they end up together. Throughout the whole novel, Veda and Monty represent the upper-class and Mildred admires Veda so much because she is a reminder that there is hope to get to a better state during the depression. At one point in the novel Mildred even tells Veda that everything good happens on account of her. Haynes focuses on gender and class as huge themes in this film and he states that: what’s so fascinating about Mildred as a character is the way she has all of this potential for incredible productive and sexual success: a willfulness and a sense that she deserves it. Of course, there are all kinds of things she has to overcome initially, the sense of pride, before she can go out and get a job and work her way up the ladder and discover her innate talents[†¦ ] while at the same time being so thoroughly harnessed to a whole other set of terms that have everything to do with feminine identification and subjectivity, and mothering, and class. (Leyda) After Mildred accepts the fact that she must inherit a job, she becomes very good at what she does and she takes all of her domestic attributes and converts them into the work-field through taking up a job at a restaurant. Compared to the other women and families during the time of depression, many of them lost jobs, large amounts of money, homes, family, and many other things. With these important aspects on the line, Mildred remains strong and uses her willpower to overcome the obstacles thrown her way. This touches on class a lot and Mildred does a phenomenal job at keeping her family secure through this very tough time. As a lower middle class woman stuck in the depression, Mildred was very resilient and hard working toward recovering from the stock market crash and the depression which left her and her family with almost nothing. Another film that deals a lot with gender is the 2009 spine-chilling horror film Splice, directed by Vincenzo Natali. This film features two young genetic engineering scientists, Elsa and Clive, who are trying to discover a new protein for pharmaceutical purposes. The blog post on shaviro. com about this movie reads, â€Å"Splice never departs from being a genre film; but the way it twists genre conventions is powerful and original† (Shaviro). This movie reworks some of the themes and motifs that appeared in Frankenstein and Eraserhead. Throughout the entire film, Elsa seems to be the better educated of the two, but together they create a blob-like figure in each gender, and as they are developing they will soon be presented to their team to show them reproducing. While all of this was happening, Elsa and Clive decide that since they were successful with the first part of their experiment, they would like to make it more challenging and add human DNA to the specimen (although they were told not to because of the dangers) and see what the end result is. Once again, they are successful and they have now created a new creature with human DNA in it. Clive wants to kill it – which shows his aggressive and protective side, two qualities often found in males – but Elsa becomes very attached to it and obtains motherly qualities toward it – which is evidently linked to women gender expectations. Mentioned in the blog post, â€Å"Most of the movie is taken up with Elsa’s â€Å"mothering† of Dren, with Clive as the somewhat distant father figure. And this is where any prejudice that â€Å"mothering† might be â€Å"natural,† or inherently â€Å"feminine,† or inherently hardwired in Elsa’s, or any woman’s, genes, definitively breaks down† (Shaviro). Elsa convinces Clive to keep it alive so that they can â€Å"study it closely,† when all she really wants is to protect it like her own child – it does contain her own DNA after all. She has a horrific style of parenting in that she treats Dren with respect at one moment, and then flips the complete opposite the next. From the interview, the author says that, â€Å"There is clearly something narcissistic and self-obsessed here; all the more so when we learn that Clive wants to have a child, but Elsa is reluctant† (Shaviro). Elsa decides to play it safe and instead of bearing her own child, which would take her away from her work and give her less control, she genetically creates Dren a hybrid of animal DNA as well as her own. As it grows up, they must keep it a secret because they were never authorized to do so by their company. Clive grows very attached and attracted to Dren, but later finds out that Elsa put her own DNA into the creature and he is furious with her and realizes that this is why she had become so obsessive and protective over Dren. She even gets angry with Clive when he refers to Dren as a specimen and not a â€Å"she. † As Elsa and Clive are absentmindedly worrying about their own problems as a couple, the two creatures they created in the beginning, Fred and Ginger, undergo a weird switch. Ginger switches from a male to female while they are presenting their new specimen to their research team. In this part of the film Ginger and Fred (both males at this point) brutally murder each other instead of reproducing like intended, leaving the audience in shock with blood and guts flying freely. Because Elsa and Clive were so involved in Dren and had been neglecting their real experiment, everything went wrong. This goes to show just how restricted the gender expectations are among humans. It labels males as violent and aggressive, especially toward each other, which touches on the way society sees gay men and how unacceptable it appears to be. Another few actions that represent the expectations of gender are when Elsa treats Dren like her own child and forces a motherly figure, and when Clive has sex with Dren. This scene is really disturbing because one, the creature isn’t human, and two, Dren has some of his girlfriend’s DNA in her. Toward the end of the film things get even worse. Dren also switches from female to male and attacks a few people and then kills Clive with the retractable stinger in his tail, then he rapes Elsa and Elsa gets away and kills him before he does anymore destruction. This points out that men are very inclined to sex and are almost seen as uncontrollable. It also makes women seem more vulnerable, especially with Elsa being raped by Dren later in the film. In the very last scene of the film, Elsa is pregnant with Dren’s baby and is going to have the baby and give it to the company for more experimentation and does not seem to care, even though it is very crude. The interview reads, â€Å"Splice‘s focus upon a woman instead of a man as the â€Å"mad scientist† figure whose creations ultimately lead to catastrophe has been quite a point of contention† (Shaviro) and this is a different aspect to the movie Frankenstein, which was basically the same plot with a ale scientist and no technology. In conclusion the interview claimed, â€Å"Gender roles are oddly reinforced[†¦ ] The film entirely scrambles our sense of what is natural and what is artificial† (Shaviro). Splice is very twisted and touches on a lot of weird expectations that society has made out for men and women. It paints men to be very controlling, defiant, and drawn toward sex, and it paints women to be very motherly, protective of their c hildren, and caring toward others.

The s Scales Of Justice Defense Counsel And The English...

Review of J.M. Beattie’s â€Å"Scales of Justice: Defense Counsel and the English Criminal Trial in the Eighteenth and Nineteenth Centuries† Beattie, J.M. â€Å"Scales of Justice: Defense Counsel and the English Criminal Trial in the Eighteenth and Nineteenth Centuries. † Law and History Review 9, no.2 (1991): 221-267. Article Summary J.M Beattie, in â€Å"Scales of Justice: Defense Counsel and the English Criminal Trial in the Eighteenth and Nineteen Centuries,† investigates the transformations in English criminal law the 1730s and 1836. In his work, Beattie argues that the gradual introduction of defence counsel in criminal trials beginning in the 1730s transformed English criminal legal proceedings by highlighting the defendant’s right to advocacy. Furthermore, Beattie contends that the increase in defence counsel in this same period contributed to, as well as reflected the larger social shift towards recognising inherent defendant legal rights. The one hundred year period of study ends in 1836 with the passing of the Prisoner’s Counsel Act - guaranteeing the right of felony defendants to be represented by counsel in English court rooms. The article begins by investigating the rise in defence counsel in English criminal trials. Prior to the 18th century, English criminal tri als were short, and centred on the defendant’s â€Å"natural response to evidence as they heard it for the first time† (223). In an era of discretionary justice being administered by judges and juries, defenceShow MoreRelatedIs Justice Really Blind?1326 Words   |  6 PagesEnglish 101 Mr. Young 13 October 2012 Is Justice Really Blind? The United States of America bases its whole judicial system around â€Å"blind justice† but is justice always blind? Since day one, justice has been portrayed as impartial. 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A coalition government is one in which several politicalRead MoreNational Security Outline Essay40741 Words   |  163 Pagesnational security center around defending territory -Protecting homeland not a major concern until after WWII due to physical isolation -Pearl Harbor attack changed national opinion - protecting homeland now major concern -US became aggressive in defense of homeland after WWII by extending defensive perimeters through the creation of alliances (UN, NATO, Rio Treaty) -Forces -Before WWII, large standing armies were seen as threats to liberty -With development on nuclear weapons, opinion has changedRead MoreEssay Paper84499 Words   |  338 Pagesspecific conduct are punitive, and violations of these provisions may subject offenders to nonjudicial or judicial action under the Uniform Code of Military Justice. The equal opportunity terms found in the glossary are applicable only to uniformed personnel. AR 690–600 contains similar terms that are applicable to Department of Defense civilians. Proponent and exception authority. The proponent of this regulation is the Deputy Chief of Staff, G–1. The proponent has the authority to approveRead MoreThe Hawala Extortion Method 18441 Words   |  74 Pagesancient China it was known as fei qian or flying coins. The system spread throughout the world – to other Asian regions, the Middle East, eastern and southern Africa, Europe and North and South America – following immigration patterns. Based on a man s word there is strong market segmentation in that, for example, a Pashtun trusts only a Pashtun hawaladar, a Sikh only a Sikh one, and so on. These days, although mainly used for legitimate transfers and often operating in conjunction with WesternRead MoreHemp Cultivation in China42289 Words   |  170 PagesProvince, Peoples Republic of China. Journal of the International Hemp Association 2(2): 57, 60-65. This paper summarizes the history of hemp (Cannabis sativa L.) cultivation and traditional use in the Tai an District of Shandong Province in the People s Republic of China, and investigates the cultivation and processing techniques currently being employed to produce hemp ribbon and hemp seed. Recent production levels and market conditions are reviewed. Comparisons with Hungarian hemp cultivation and