The History of Suspenders

The purpose of suspenders is hold up trousers. According to Time.com, the first suspenders can be traced to 18th century France, where they were basically strips of ribbon attached to the buttonholes of trousers. As recently as 1938, a town in Long Island, NY tried to ban gentlemen from wearing them without a coat, calling it sartorial indecency. Unbelievably, early suspenders were considered part of a mans undergarments and politely kept completely hidden from public view. Albert Thurston Mark Twain First Patent For Metal Clasp Suspenders The H, X, and Y of Suspenders Original designs show suspender straps made of a tightly woven wool known as boxcloth.

Essay on Rousseaus Critique of Moliere - 647 Words

In Rousseau’s critique of Moliere, he sees Moliere as being a perfect author. Moliere incorporates betrayal and distortion to stir the emotions and gain our interest, as well as sympathy. Rousseau feels that Moliere doesn’t help society, instead, he harms it. The reason is because Moliere is bringing down the value of society by using politics and comedy together. People are starting to see their flaws as being acceptable due to the content they see in Moliere’s work. If the first thing that one learns about Rousseau is that he was a supporter of community, the second is almost always that that he was moralistically opposed to theater as destructive of community morals. The source for this judgment is the Letter to D’Alembert, a text†¦show more content†¦By quot;nothing is requiredquot; Rousseau means that our emotions have not life-consequences. It is, as it were, irresponsible to be an audience member, a bit as if one were on holiday from one’s everyday, common humanity. For Rousseau, this irresponsibility is associated with the experience of an isolation which keeps one from being at home with one’s self, a home which, he is at pains to show, can only be achieved with others. The source of this moral danger -- the danger of irresponsibility -- derives from a second more basic quality of theater. Theater is, inevitably almost, representation. Here Rousseau’s hostility to theater reflects and is reflecting in his hostility to representative sovereignty. Representation (on stage) requires interpretation of its audience, whereas a just political society was to be built from that which was so transparent in time and space that it could not be other that what it was. No matter what its subject theater cannot be common. And it cannot be the everyday -- it is the perfected, immortal, transcendent particular self, precisely that self that wants to overlook the common, more like a god than a human being. Rousseaus â€Å"Letter to dAlembert† reaches two apparently contradictory conclusions: that theater does, and does not affect a societys culture. These divergent results can be explained by Rousseaus argumentative

Renaissance Artists and Their Famous Contributions Free Essays

Donated was a Renaissance artist born in Florence, Italy. He was famous for his artwork in bas relief, a type of shadow relief sculpture. * SST. We will write a custom essay sample on Renaissance Artists and Their Famous Contributions or any similar topic only for you Order Now Mark * Eocene I The Feast of Hero * David I * Equestrian Monument of Guatemala * Judith and Holiness I Poetically was an Italian painter of the Early Renaissance. He hailed from Florence, Italy. * Fortitude * Adoration of the Magi * The Birth of Venus I * Primeval * Costello Annunciation * SST. Augustine I *Venus and Mars * Mystical Nativity * Temptation of Christ I Dad Vinci was someone who was skilled and knowledgeable in many, many subjects, including science, mathematics, music, and most importantly, art. He was the epitome off Renaissance man if there never was one. * The Last Supper * Mona Lisa * Vitamins Man I * The Baptism of Christ * Annunciation * Lady with an Ermine I *Genera De’ Bench * Adoration of the Magi * SST. Jerome in the Wilderness I Also known as Michelangelo, he was an Italian Renaissance artist. He is often considered a contender for the title of the archetypal Renaissance man, alongside Leonardo dad Vinci. Sistine Chapel ceiling * Creation of Adam * The Last Judgment Tendon * The Torment of Saint Anthony * The Conversion of Saul I Piety ¤ * Bacchus I I * Don’t * David * Better known as Just Raphael, an Italian architect and painter of the High Renaissance. He was best known for the perfection and grace in his artwork. Raphael was cons idered a master, among Leonardo dad Vinci, and Michelangelo.. * School of Athens * The Transfiguration * The Marriage of the Virgin I Resurrection of Christ * Self-portrait * La belle Sardinia ©reel * Ezekiel Vision * The Sistine Madonna * Madonna and Child I Titian was known as an Italian painter, one of the most versatile. He was equally adept with landscape paintings, portraits, and mystical subjects. * Rape of Europe * Sacred and Profane Love * Pastoral Concert I of the Virgin * Christ Carrying the Cross * The Flaying of Martyrs I Prudence * The Worship of Venus * Self-portrait * Assumption * Allegory of Udder was an important Northern Renaissance man from Germany. He was prominent in painting, printmaking, mathematics, engraving, and theory.. * Young Hare * Rhinoceros * Adam and Eve I * Praying Hands * Knight, Death and the Devil * Apocalypse I * Self-portrait * Melancholia * Adoration of the Trinity I El Greece was a Spanish Renaissance artist of Greek descent. He became a master in Post-Byzantine art before moving to Rome. In Italy, his style was embellished with components of Venetian Renaissance and Mannerism.. * The Disrobing of Christ (El Esposito) * Opening of the Fifth Seal * Direction of the Virgin I * The Burial of the Count of Organ * View of Toledo * The Adoration of the Shepherds I Christ Healing the Blind * The Entombment of Christ * Saint Martin and the Beggar I How to cite Renaissance Artists and Their Famous Contributions, Papers